Kadenzen zum Konzert Es-Dur Franz Joseph Haydn

Titel (DE): Kadenzen Band 1 - zum Konzert für Trompete und Orchester Es-Dur von Joseph Haydn
Titel (EN): Cadenzas Vol. 1 - to the Concerto for Trumpet and Orchestra Eb major by Joseph Haydn
Titel (FR): Cadenzas Vol. 1 - to the Concerto for Trumpet and Orchestra Eb major by Joseph Haydn
Komponist / Composer: Penderecki, Krzysztof
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Trompete / trumpet
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1999
Aufführungsdauer / Duration: 4'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 01.03.2004
Ausgabe / Publication: Solostimme - Solo part - inkl. 2 begleitender Horn-Stimmen
incl. 2 accompanying horn parts - - -
Seiten / Pages: 12
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Cadenza
ISMN: M-001-13364-7
ISMN-13: 979-0-001-13364-7
ISMN-EAN: 9790001133647
UPC:

In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist’s virtuoso inspiration. Penderecki’s cadenzas for Haydn’s celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope. Penderecki’s stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn’s concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.

[FR]
In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist’s virtuoso inspiration. Penderecki’s cadenzas for Haydn’s celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope. Penderecki’s stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn’s concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.