Kadenzen zu den Konzerten für Klavier und Erwin Schulhoff

Titel (DE): Kadenzen Band 9 - zu den Konzerten für Klavier und Orchester von Ludwig van Beethoven:
Titel (EN): Cadenzas Vol. 9 - to the Piano Concertos by Ludwig van Beethoven:
Titel (FR): Cadences Vol. 9 - des concertos pour piano et orchestre
Komponist / Composer: Beethoven, Ludwig van
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1923
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 30.03.2009
Ausgabe / Publication: - -
- - -
Seiten / Pages: 32
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - schwer - advanced - difficult - avancé - difficile
Sprache / Language:
Reihe / Series: Cadenza
ISMN: M-001-15404-8
ISMN-13: 979-0-001-15404-8
ISMN-EAN: 9790001154048
UPC:

Erwin Schulhoff composed his cadenzas for Ludwig van Beethoven's Piano Concertos No. 1-4 (no independent cadenza is intended for Piano Concerto No. 5) in Berlin in 1923. That means they were written at the same time as his Concerto for piano and small orchestra Op. 43, which combines impressionism and jazz and can be regarded as the first 'jazz' piano concerto in music history. The present cadenzas, however, do not show any influences of jazz but follow entirely the classical piano concerto tradition in a way which is virtuosic, and yet comapratively easy to play.

op. 15, op. 19, op. 37, op. 58

[FR]
Erwin Schulhoff composed his cadenzas for Ludwig van Beethoven's Piano Concertos No. 1-4 (no independent cadenza is intended for Piano Concerto No. 5) in Berlin in 1923. That means they were written at the same time as his Concerto for piano and small orchestra Op. 43, which combines impressionism and jazz and can be regarded as the first 'jazz' piano concerto in music history. The present cadenzas, however, do not show any influences of jazz but follow entirely the classical piano concerto tradition in a way which is virtuosic, and yet comapratively easy to play.

op. 15, op. 19, op. 37, op. 58