Granica - Tanz in den Tod : für Enjott (Norbert Jürgen) Schneider

Titel (DE): Granica - Tanz in den Tod
Titel (EN): Granica - Dance Toward Death
Titel (FR): Granica - Dance Toward Death
Komponist / Composer: Schneider, Enjott
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: 2 Klaviere und Schlagzeug / 2 pianos and percussion
Besetzungsdetails: 2 Klaviere · S. (Vibraphon, auch mit Kontrabassbogen gestrichen · Crotales, auch mit Kontrabassbogen gestrichen, ad lib. Vibraphon, hohe Lage · Triangel, am Ständer · hängendes Becken, tief · Bell tree · Tamtam · Tamburin, auf Ständer · Tomtoms, ad lib. Rototoms · Holzplatten, hell klingend, ad lib. auf Fell liegend · Große Trommel) (1 Spieler)
Kompositionsjahr / Date of Composition: 2009
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 20.10.2010
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 112
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-17094-9
ISMN-13: 979-0-001-17094-9
ISMN-EAN: 9790001170949
UPC:

With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemporary playing techniques and combines turbulent passages with quiet, narrative phases. The one-part work starts with a 'dance of life', so called by Enjott Schneider. In the course of the piece, this lively, dynamic dance changes and eventually disappears in the 'depths of death'. Granica comes from the Slavonic and means 'border'. The work was commissioned by the Embassy of Cyprus.

[FR]
With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemporary playing techniques and combines turbulent passages with quiet, narrative phases. The one-part work starts with a 'dance of life', so called by Enjott Schneider. In the course of the piece, this lively, dynamic dance changes and eventually disappears in the 'depths of death'. Granica comes from the Slavonic and means 'border'. The work was commissioned by the Embassy of Cyprus.