Behütet - Psalm 121 : für gem Chor a cappella Dieter Schnebel

Titel (DE): "behütet..." - Psalm 121 - für Chor (und Orgel oder Synthesizer ad lib.)
Titel (EN): 'behütet...' - Ps. 121 - for choir (and organ or synthesizer ad lib.)
Titel (FR): "behütet..." ("te garde...") - Psaume 121 - pour chur (et orgue ou synthétiseur ad lib.)
Komponist / Composer: Schnebel, Dieter
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Chor (SSMezAATTBarBB) und Orgel oder Synthesizer ad libitum (Mez u. Bar: Sprechstimmen) / choir a cappella
Besetzungsdetails: Nebeninstrumente für die Ausführenden: Sandblocks, Kieselsteine, trockene Zweige, Ocean Drum, Rainmaker, Waldteufel, Mundsirene, Meßglocke
Kompositionsjahr / Date of Composition: 2010 (2011)
Aufführungsdauer / Duration: 12'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 29.02.2012
Ausgabe / Publication: Chorpartitur - Choral score -
- - -
Seiten / Pages: 36
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Hebräisch Deutsch
Reihe / Series:
ISMN: M-001-17981-2
ISMN-13: 979-0-001-17981-2
ISMN-EAN: 9790001179812
UPC:

Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that is declaimed simultaneously in the original Hebrew and the German translation, the music gradually moves from the deep sounds of fear to the clear heights of confidence. The organ part serves as a support for intonation, the few percussion instruments can be played by the singers.

[FR]
Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that is declaimed simultaneously in the original Hebrew and the German translation, the music gradually moves from the deep sounds of fear to the clear heights of confidence. The organ part serves as a support for intonation, the few percussion instruments can be played by the singers.