Adiantum Capillus-Veneris Nr.1 : Chaya Czernowin

Titel (DE): Adiantum Capillus-Veneris I (Frauenhaarfarn I) - Studie zur Fragilität für Stimme und Atem (ad lib. Verstärkung)
Titel (EN): Adiantum Capillus-Veneris I (Maidenhair fern I) - Etude in fragility for voice and breath (ad lib. amplified)
Titel (FR): Adiantum Capillus-Veneris I (Maidenhair fern I) - Etude in fragility for voice and breath (ad lib. amplified)
Komponist / Composer: Czernowin, Chaya
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Stimme und Atem (ad libitum verstärkt) / voice and breath(ad libitum amplified)
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2015
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 11.01.2016
Ausgabe / Publication: Einzelausgabe - Separate edition - Ausgabe für 7 verschiedene Stimmlagen
Edition for 7 different registers - - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language: Vokalisen
Reihe / Series: Edition Schott
ISMN: M-001-15869-5
ISMN-13: 979-0-001-15869-5
ISMN-EAN: 9790001158695
UPC:

In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship. This is not an expressive piece in the more standard way in which a singer employs all of his personality in an attempt to express emotions or other expressions of the self'. It is rather a sketch using the voice and the breath like a small brush painting a line. Even though it is only a line made out of water (breath) with some color (voice), this line is actually transmitting a whole landscape. Chaya Czernowin

[FR]
In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship. This is not an expressive piece in the more standard way in which a singer employs all of his personality in an attempt to express emotions or other expressions of the self'. It is rather a sketch using the voice and the breath like a small brush painting a line. Even though it is only a line made out of water (breath) with some color (voice), this line is actually transmitting a whole landscape. Chaya Czernowin