11 Haiku op.41b : Bertold Hummel

Titel (DE): 11 Haiku op. 41b - für gemischten Chor (SATB) und Vibraphon
Titel (EN): 11 Haiku op. 41b - for mixed choir (SATB) and Vibraphone
Titel (FR): 11 Haiku op. 41b - for mixed choir (SATB) and Vibraphone
Komponist / Composer: Hummel, Bertold
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus: op. 41b
Werkverzeichnis:
Besetzung / Instrumentation: gemischter Chor (SATB) und Vibraphon / mixed choir (SATB) and vibraphone
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 15'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 26.10.2011
Ausgabe / Publication: Partitur - Score -
- - -
Seiten / Pages: 20
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language: Deutsch
Reihe / Series:
ISMN: M-001-17869-3
ISMN-13: 979-0-001-17869-3
ISMN-EAN: 9790001178693
UPC:

Originating from Asia, the short poetic form of 'haiku' always consists of three lines with 17 syllables. The concentration and conciseness resulting therefrom fascinated Berthold Hummel and inspired him to write these 11 miniatures for a-cappella choir and vibraphone. Without using any atonal techniques, he managed very impressively to make traditional poetry appear in a modern form. With great sensitivity, he gave musical expression to a text full of allusions.

I Der Frühlingsmond (Hotta Bakusui, 1720-1783) - II Der Schmetterling (Taniguchi Buson, 1715-1783) - III Pflaumenblütenzweig (Sumi Taigi, 1709-1772) - IV Die gefangene Nachtigall (Sumi Taigi) - V Das verirrte Kind (Yoshida Ryusui, ohne Datum) - VI Ein bewölkter Tag (Kusakabe Kyohaku, gest. 1698) - VII Kleine Mücken (Matsuo Basho, 1643-1694) - VIII Der Fuji-Berg im Regen (Matsuo Basho) - IX Herbststurm I (Toyoma Rogetsu, 1666-1751) - X Herbststurm II (Morikawa Kyoroku, 1652-1715) - XI Todesvers (Frau Chine, ohne Datum)

[FR]
Originating from Asia, the short poetic form of 'haiku' always consists of three lines with 17 syllables. The concentration and conciseness resulting therefrom fascinated Berthold Hummel and inspired him to write these 11 miniatures for a-cappella choir and vibraphone. Without using any atonal techniques, he managed very impressively to make traditional poetry appear in a modern form. With great sensitivity, he gave musical expression to a text full of allusions.

I Der Frühlingsmond (Hotta Bakusui, 1720-1783) - II Der Schmetterling (Taniguchi Buson, 1715-1783) - III Pflaumenblütenzweig (Sumi Taigi, 1709-1772) - IV Die gefangene Nachtigall (Sumi Taigi) - V Das verirrte Kind (Yoshida Ryusui, ohne Datum) - VI Ein bewölkter Tag (Kusakabe Kyohaku, gest. 1698) - VII Kleine Mücken (Matsuo Basho, 1643-1694) - VIII Der Fuji-Berg im Regen (Matsuo Basho) - IX Herbststurm I (Toyoma Rogetsu, 1666-1751) - X Herbststurm II (Morikawa Kyoroku, 1652-1715) - XI Todesvers (Frau Chine, ohne Datum)