Landscape With Deserted House Benjamin Schweitzer

Titel (DE): Landscape With Deserted House - für Bassflöte, Bassklarinette, Schlagzeug, Harfe und Klavier
Titel (EN): Landscape with Deserted House - for bassflute, bass clarinet, harp, piano and percussion
Titel (FR): Landscape with Deserted House - for bassflute, bass clarinet, harp, piano and percussion
Komponist / Composer: Schweitzer, Benjamin
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Bassflöte, Bassklarinette, Schlagzeug, Harfe und Klavier / bassflute, bass clarinet, harp, piano and percussion
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2010
Aufführungsdauer / Duration: 15'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 29.02.2012
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 140
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-18139-6
ISMN-13: 979-0-001-18139-6
ISMN-EAN: 9790001181396
UPC:

'Landscape With Deserted House' is a piece of a dark and very individual character, almost a 'gothic piece'. The topos of the deserted house comes from the literature of Victorian England, but also points toward the present time, especially toward Northern Europe where, after half a century of migration from the countryside, countless houses and estates are unoccupied and left to decay. It is especially the percussion part of 'Landscape With Deserted House', mainly played on simple everyday objects, that refers to this aspect of the title while the other instruments create a sound space full of peculiar poetry in finely tuned mixtures. A piece which will delight every professional musician with experience in modern playing techniques.

[FR]
'Landscape With Deserted House' is a piece of a dark and very individual character, almost a 'gothic piece'. The topos of the deserted house comes from the literature of Victorian England, but also points toward the present time, especially toward Northern Europe where, after half a century of migration from the countryside, countless houses and estates are unoccupied and left to decay. It is especially the percussion part of 'Landscape With Deserted House', mainly played on simple everyday objects, that refers to this aspect of the title while the other instruments create a sound space full of peculiar poetry in finely tuned mixtures. A piece which will delight every professional musician with experience in modern playing techniques.