Beim Schlafengehen Alwin Michael Schronen

Titel (DE): Beim Schlafengehen -
Titel (EN): Beim Schlafengehen -
Titel (FR): Beim Schlafengehen -
Komponist / Composer: Schronen, Alwin Michael
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: gemischter Chor (SATB) a cappella / mixed choir (SATB) a cappella
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2013
Aufführungsdauer / Duration: 2'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 12.03.2018
Ausgabe / Publication: Chorpartitur - Choral score -
- - -
Seiten / Pages: 4
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - intermediate - moyen
Sprache / Language: Deutsch
Reihe / Series:
ISMN: M-001-16673-7
ISMN-13: 979-0-001-16673-7
ISMN-EAN: 9790001166737
UPC: 842819100591

Touching, warm-hearted and reassuring - Alwin Michael Schronen's choral composition At bedtime for four-part mixed choir (SATB) a cappella can hardly be better characterized. The only about 2-minute setting of the eponymous three-strophic poem by Hermann Hesse breathes a tremendous simplicity and intimacy through which finds the text content of the resting-to-come of doing and thinking after a long day adequate expression. The very catchy and tunable melody is largely reserved for the soprano (stanzas 1 and 3), which is sensitively accompanied by the other voices. Only in the second stanza does the tenor take on the (slightly modified) melody, giving it a vivacious tone color nuance for this secluded agelong choir of secular a cappella choral music.

[FR]
Touching, warm-hearted and reassuring - Alwin Michael Schronen's choral composition At bedtime for four-part mixed choir (SATB) a cappella can hardly be better characterized. The only about 2-minute setting of the eponymous three-strophic poem by Hermann Hesse breathes a tremendous simplicity and intimacy through which finds the text content of the resting-to-come of doing and thinking after a long day adequate expression. The very catchy and tunable melody is largely reserved for the soprano (stanzas 1 and 3), which is sensitively accompanied by the other voices. Only in the second stanza does the tenor take on the (slightly modified) melody, giving it a vivacious tone color nuance for this secluded agelong choir of secular a cappella choral music.

für gem Chor a cappella Partitur