Tippett, Sir Michael : Byzantium

Titel (DE): Byzantium -
Titel (EN): Byzantium -
Titel (FR): Byzantium -
Komponist / Composer: Tippett, Sir Michael
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Sopran und Orchester / soprano and orchestra
Besetzungsdetails: 3(3pic).2.ca.3 (Ebcl/bcl).2.cbn-4.2.3.1- 7perc(sn.dr., t.d., b.d., clashed cym., large sus.cym., w.bl., cast., tri., xyl., vib., glock., crots., bells - plus single G on separate stand, claves, 3 anvils (high, medium, low))-2hp.cel.eorg-str
Kompositionsjahr / Date of Composition: 1989 - 1990
Aufführungsdauer / Duration: 25'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 23.08.1991
Ausgabe / Publication: Klavierauszug - Piano reduction -
- - -
Seiten / Pages: 64
Verarbeitung: -
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language: Englisch
Reihe / Series:
ISMN: M-2201-1572-1
ISMN-13: 979-0-2201-1572-1
ISMN-EAN: 9790220115721
UPC:

Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of self-renewal becomes evident: The crystalline intensity of the poem itself offered a challenge in setting its verbal imagery to music; [and] I identified completely with its emphasis on the notion of artefacts, enshrining values that can be set against the impermanence of the everyday world and the complexities of the human beating heart.' (Michael Tippett)

[FR]
Michael Tippett's description of what drew him to the longer of W. B. Yeats' two poems on Byzantium gives us a glimpse of what was going through his mind as the fascination of Byzantium as a mode of self-renewal becomes evident: The crystalline intensity of the poem itself offered a challenge in setting its verbal imagery to music; [and] I identified completely with its emphasis on the notion of artefacts, enshrining values that can be set against the impermanence of the everyday world and the complexities of the human beating heart.' (Michael Tippett)